In March, I was invited to speak at the “tribute panel” dedicated to Black feminist thought, especially the work and life of Audre Lorde during the National Women’s Studies Association. I felt honored, and more than slightly intimidated, to be selected to address the importance of Audre Lorde’s work in my own life as well as in the feminist movement at large. Other panelists were Kaila Adia Story (University of Louisville) and Melinda L. de Jesus (California College of the Arts).
It was during my second year of college I was first introduced to the writings of Audre in a Women’s Studies course. Throughout the academic term, students read several articles each week, discussed them in the class, and wrote journal entries that reflect on the week’s readings. Week after week, most of the assigned materials were those written by white, middle-class, straight (or sometimes “political lesbian”) women, and I was having difficulty relating to much of what was being discussed. I kept writing in my journal how I didn’t relate to the reading, but I did not realize it had anything to do with the selection of the materials. I felt bad about being so “negative” about feminism and feminists.
Toward the end of the term, one week was dedicated to the work of “women of color” (yes, a whole week–woo hoo!). If I remember correctly, it consisted of selections from the anthology “This Bridge Called My Back” (Combahee River Collective statement, and I think one of the Cherrie Moraga’s pieces) and Audre Lorde’s “Sister Outsider.” For the first time, these articles spoke to me. They gave voice to my feelings of alienation and frustration that I could not point a finger on. And even though it was just a week out of the entire term, and it is possibly the worst form of tokenism within the discipline, they anchored me to feminism and Women’s Studies to this date. Without “Sister Outsider,” I may not have been a feminist today.
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